What We Can Know

The breathtaking new novel from Ian McEwan

'A thumping literary mystery' Independent
'A gripping page-turner' Observer
'A beautiful novel, full of wisdom and heart. I loved it' Elif Shafak

2014: A poem is read aloud once then vanishes without a trace.

2119: A century later, the seas have risen and the world is under water. Those who remain are haunted by what's been lost - and what might still be found.

When university scholar Tom Metcalfe stumbles across a clue that may lead to the great lost poem, he reveals a story of entangled love and a brutal crime that challenges everything he thought he knew about the past...

READERS LOVE WHAT WE CAN KNOW:
'Fantastic...a book I will treasure forever'
'Brilliant, gripping, fascinating'
'Makes you question everything you think you know'
'A beautiful exploration of memory and love'
'What a book. Utterly absorbing'

'Rewarding and thought-provoking' Financial Times

'A master storyteller' The Times

'It gave me so much pleasure' New York Times

'Haunting, playful and ultimately hopeful... A wonderful book' Kaliane Bradley

*A BOOK OF THE YEAR for the Sunday Times, Guardian, New York Times, New Statesman, Spectator, New Yorker, i Paper and Barack Obama*

Hersteller:	Penguin Random House LLC
Anschrift:	One Embassy Gardens 8 Viaduct Gardens UK-SW11 7BW London
Kontakt:	penguinpublicity@penguinrandomhouse.com
Verantwortlicher:	Penguin Random House Ireland
Anschrift:	Morrison Chambers 32 Nassau Street IE-D02 YH68 Dublin
Kontakt:	E-Mail-Adresse 2:https://eu-contact.penguin.ie

Ian McEwan is the critically acclaimed author of nineteen novels and two short story collections. His first published work, a collection of short stories, First Love, Last Rites, won the Somerset Maugham Award. His novels include The Child in Time, which won the 1987 Whitbread Novel of the Year Award; The Cement Garden; Enduring Love; Amsterdam, which won the 1998 Booker Prize; Atonement; Saturday; On Chesil Beach; Solar; Sweet Tooth; The Children Act; Nutshell; Machines Like Me; and Lessons. Atonement, Enduring Love, The Children Act and On Chesil Beach have all been adapted for the big screen.

What We Can Know may well have created a new genre: the postapocalyptic campus novel. Imagine AS Byatt's Possession crossed with Cormac McCarthy's The Road. Dark academia meets the big ideas novel, all conveyed in McEwan's trim, beautifully ordered sentences Johanna Thomas-Corr Sunday Times